Inspired by Asemic writing, my visual practice expands towards the research around mark-making processes and the research of non-figuration as a tool and mode of representation to reveal a more personal approach and reading of narratives.

I see less figuration as a liberating act, but also as a way to advocate for more attention to the making of marks and their sensory impact. To try to not use a predefined language — figuration, to speak about a world in constant change and about topics in perpetual changes with moving notions and language around it.